While going back in history and performing a musical repertory of distant epochs, the interpreter becomes more and more also a composer. The rhythm of troubadour melodies must be defined anew, their songs, as well as those of Hellenistic and Roman times, need to be enriched by the sound of accompanying instruments. Renaissance music has to be transcribed, many a time the musician will have to make decisions about necessary (or unnecessary) accidental signs, in order to accommodate to the ‘musica ficta’ practice of the time. Baroque music without ornaments can be meaningless. The modern interpreter of historic music, thus, writes before he sings or plays. This, of course, applies even more for compositions of the classical period that we arranged for different chamber music ensembles. This page lists some of our arrangements. Those interested may request free PDF copies of the musical scores by sending an email with a brief description of their musical activity and the email address to which the score should be sent.