The history of the motet
|
3
,
4
,
73
,
74
,
75
,
78
,
98
,
102
,
120
,
121
|
The evolution of the sonata from the chanson
|
5
,
6
,
7
,
9
,
10
,
15
,
16
|
The trio sonata
|
82
,
91
,
116
,
162
,
173
,
174
,
176
,
177
,
178
,
179
,
182
,
195
,
204
,
205
,
339
,
483
|
Baroque cantatas and sonatas
|
26
,
27
,
31
,
33
,
46
,
116
,
130
,
131
,
162
,
172
,
176
,
177
,
178
,
182
,
188
,
189
,
197
,
211
,
212
,
213
,
215
,
216
,
217
,
259
,
260
,
262
,
275
,
276
,
378
,
404
,
451
,
453
,
454
,
481
,
482
,
484
,
493
,
501
,
510
,
531
,
532
,
533
|
The classical sonata
|
277
,
285
,
313
,
314
,
475
,
478
,
490
,
518
|
Viella, lira, baryton, viola d’amore
|
196
,
340
|
Music for solo violin
|
191
,
279
,
283
,
372
,
375
|
Music for 2 violins
|
373
,
411
,
506
|
Music for 3 violas
|
251
,
257
,
258
,
337
,
353
|
Violin and cello
|
26
,
27
,
31
,
33
,
231
,
234
,
235
,
299
|
The string trio
|
342
,
403
,
411
,
422
,
510
|
The string quartet
|
270
,
271
,
273
,
286
,
287
,
288
,
295
,
296
,
303
,
304
,
306
,
307
,
329
,
338
,
368
,
369
,
370
,
382
,
416
,
424
,
425
,
437
,
452
,
457
,
458
,
495
,
498
,
499
|
The concerto
|
11
,
12
,
13
,
14
,
15
,
16
,
18
,
183
,
184
,
214
,
420
,
423
|
The Lied
|
200
,
274
,
377
,
498
|
Theme and variations
|
21
,
29
,
219
,
224
,
225
,
226
,
227
|
The piano trio
|
29
,
214
,
300
,
305
,
486
,
491
,
496
,
497
|
The launeddas of Sardinia
|
322
,
366
,
523
,
524.pdf
|
From the chalumeau to the clarinet
|
154
,
214
,
250
|
Opera
|
87
,
401
,
402
,
463
,
470
,
471
,
492
,
521
,
522
,
528
,
529
,
530
|